![]() ![]() ![]() ![]() “In this case, who is more vulnerable: the human who built the machine or the machine who is controlled by a human?” Weng asks in a description on the museum’s website. The intention of the piece is to animate this machine and make it seem more human, according to Xiaoyu Weng, a former Guggenheim curator, who organized “Tales of Our Time.” The arm is programmed to do several motions that the artists term “scratch an itch,” “bow and shake,” and “ass shake,” and viewers are meant to look on as it performs these strange actions. Periodically, the liquid is sprayed across the walls, hinting at carnage and unseen violence. When the liquid pools too far away from the arm, it will scoop up the substance. But what, you ask, is Can’t Help Myself, and why is it so popular with TikTok teens?Ĭan’t Help Myself was commissioned by the Guggenheim for the 2016 exhibition “Tales of Our Time,” and in addition to the giant robotic arm, the liquid substance, and the polycarbonate wall containing them, the piece also contains some less visible elements: visual recognition sensors that can detect the movement of the colored water (which is not blood, contrary to what it seems). Sun and Peng works have periodically been in the public eye for potentially unexpected reasons-video of their 2003 work Dogs That Cannot Touch Each Other, for which they placed canines on treadmills facing one another, was famously removed from a 2017 Guggenheim Museum show in New York after animal rights activists spoke out against it. looks so.tired” LMAOOOO ♬ XD – El gato pro 777 “me watching y’all cry over a robot scooping red paint,” wrote who filmed herself collapsing on the floor laughing for a TikTok that now has about 500,000 more likes than the one that made the Sun and Peng work go viral. Others simply could not believe fellow TikTokers were falling for the piece. you can sweep it away but it’s always there no matter what you do,” wrote “You can feel its agony,” wrote casting video of the work to the TikTok-famous song “Arcade” by Duncan Laurence. “‘a piece of art won’t hurt you,'” jokingly wrote the user along with an edit of the Lana Del Rey song “Dealer.” “this is what trauma feels like. That TikTok seems to have spurred others to add their own commentary about the work, finding unusual forms of empathy with the machine. ![]()
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